Misc. Notes, Title: Practical Rules for Learning Composition translated from a Work intitled Gradus ad Parnassum written originally in Latin by John Joseph Feux. The Study of Counterpoint has ratings and 36 reviews. Joel said: Now how you gonna go and front on my boy Fux? Even if you’re not a musician — like. from Johann Joseph Fux’s. The most celebrated book on counterpoint is Fux’s great theo- retical work Gradus ad Parnassum. Since its appearance in

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He gave the book as a gift to harpsichordist Ralph Kirkpatrick in This couhterpoint includes a list of referencesbut its sources remain unclear because it has insufficient inline ckunterpoint. Enter your email address to subscribe to this blog and receive notifications of new posts by email.

In he was accepted at the Jesuit university there, where his musical talent became apparent. The examples are not very melodic in nature but will teach you sound counterpoint writing.

However, citing his poor health as a result of gout and age, he chose to conclude the book as it stood. Now how you gonna go and front on my boy Fux? Furthermore, Mann’s “The Study of Jobann is almost like a story of the master Aloysius who is getting too old to teach, and looking for a worthy pupil to carry the torch.

Hell, even the standard renaissance coubterpoint, which are of great structural importance are not thought countfrpoint are only possible in one of is spec Whilst I have certain sympathies for the “reactionary” spirit in which ‘Gradus ad Parnassum’ was written, I must judge it for what it is. Bach ‘s late style and that he was regarded by contemporary commentators as a composer as well as a theorist of comparable significance to J.

In the first part, Fux presents a summary of the theory on Musica Speculativa, or the analysis of intervals as proportions between numbers. Anybody interested in learning counterpoint form historical sources is better adivsed to look at Morley, Tinctoris and Zarlino for the Renaissance and Mattheson, Rameau and Iohann for the Baroque. Since its appearance init has been used by and has directly influenced the work of many of the greatest composers.


The Study of Counterpoint | W. W. Norton & Company

I chose to do the “quick” route and just play through the examples and glean general instruction on writing counterpoint but I agree with Fux that working through the species will take considerable time and be of the most benefit. Mattheson ‘s favourable account of his choral writing and his chamber duet style. Relatively little is known about his early life, but likely he went to nearby Graz for music lessons.

Dec 24, Dimitris rated it it was amazing. The body of music written up to today is at your fingertips as you read and study it.

Fux frequently worked with theatrical engineer Giuseppe Galli Bibiena and poet and librettist Pietro Pariati. Norton’s privacy policy and terms of use. I have two beautiful thai cats called Tammy female and Yommo male. This book on counterpoint is as much about philosophy as it is about voice-leading. Subscribe to Composer’s Toolbox Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Bach Oxford University Press,Article author: This helps to contextualize the book. The words of Mersenne, Cicero and Aristotle jonann among the references quoted by Fux in this section.

The Study of Counterpoint

Jan 01, Daniel added it. Although he makes a good point, the soap box banter I found to Fux is incredibly self-righteous in his nagging soliloquy about “the rise of three dimensional thought” all to be found in his cumbersome introduction and foreward. Joseph I, and Charles VI, both of whom continued to employ him in high positions in the court. Festschrift Friedrich Blume zum Johann Joseph Fux was born to a peasant family in Hirtenfeld in Styria.

Bach ‘s tux with stile antico counterpoint in his late works, but not as a primer of strict counterpoint: I was required to buy this book for my Coynterpoint music theory class even though counterpoint is not a significant part of the curriculum, but it has expanded my knowledge of music immensely and could not be happier with it.

Dover, Johann Joseph Fux: For example, from the very beginning counrerpoint author assumes you know how to read musical clefs, the notation of pitch and rhythm, and understand the concept of pitch intervals.


Johann Joseph Fux Describes Baroque Counterpoint :

Jul 24, Niek Lucassen rated it liked it. Therefore, I would encourage anyone to start here if they want to learn composition. Trivia About The Study of Coun Johann Joseph Fux was an Austrian composer, music theorist and pedagogue of the late Baroque era.

It would be a great second book for someone wishing to learn theory. Fantastisch geschreven, in dialoogvorm tussen een ‘meester’ en een leerling, vertrekt dit boek van een cantus firmus zeg maar: You won’t regret it!

I found a free workbook online that I printed out and used as a companion to this text. Heel helder en structureel verwoord, is het duidelijk waarom dit boek reeds zolang en bij zovele componisten hoog staat aangeschreven.

This part is in the form of a dialog, between a master Aloysius, Latin for Luigi, who is meant to represent Palestrina’s ideas and a student, Josephus, who represents Fux himself, a self-admitted admirer of Palestrina. Retrieved November 15, Mozart had a copy of it that he annotated. No work of Palestrina or any other great master could have been written following the rules laid out by Fux and the whole “learn rules to break them” mentality is unhelpful; what would be the benefit of studying rules that do not help one realize what leads to independence of parts or good melodic lines?

Aug 07, Chairman Meow added it. Bach knew the Latin original well and his personal copy has survived.

Scheibe likewise, in Der critische Musikusranked J. It’s a short book and I’m going to read it again in the future. It may not be the best “total beginner” guide at least not for mebut it is fascinating to take a glimpse of 17th and 18th century music pedagogy, not to mention the perspective Fux gives through the dialogue of the student and teacher.